Description
The themes are treated in canon, with all 5 parts ‘chasing their own tails’
until letter C where the music becomes calmer and less frenetic. The
triplets should be played languidly.
until letter C where the music becomes calmer and less frenetic. The
triplets should be played languidly.
At Letter D, the energy of the opening returns, in a new key, leading to Letter E,
Misterioso. Here we have a fugal motif starting with the Double bass and
working its way up through the ensemble. This is worked out through to
letter G where the original music returns.
Misterioso. Here we have a fugal motif starting with the Double bass and
working its way up through the ensemble. This is worked out through to
letter G where the original music returns.
This piece should be boisterous and light throughout.
This version is a transcription of my original brass quintet and works really well (with a few adjustments) on strings.
Additional information
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